Resin/Wax/Clay Style [Flux, Illu]

## Description

A material morph LoRA that transforms subjects into sculpted objects — resin figures with translucent amber depths, wax forms that drip and melt under candlelight, clay sculptures with visible fingerprints and tool marks, porcelain figurines with delicate crackle glaze, polished marble in dark gallery settings, bronze with centuries of green verdigris patina, obsidian volcanic glass reflecting firelight, and crystal that refracts light into prismatic rainbows.

This isn’t a filter. It’s a fundamental material transformation — the subject becomes the material, with all the physical properties that implies. Resin catches light and glows from within. Wax softens at the edges. Clay shows the hand of the sculptor. The prompt controls which material dominates, and the LoRA handles the surface physics.

Works across the full range from classical gallery sculpture to surreal fine art. Especially effective with dramatic lighting that plays off material surfaces — candlelight on wax, spotlights on polished stone, backlighting through translucent resin.

## Gallery

## Download

### Model v1 Flux

## Recommended Parameters

### Strength

• 0.80 - 0.95 for full material transformation (0.90 is a good default)
• Lower strength (0.5 - 0.7) gives a “painted” or “coated” effect rather than full transformation
• Higher strength (0.95 - 1.0) pushes harder into the sculptural style — some subjects may lose detail

### Guidance

• Flux guidance: 3.0 - 4.0 works well for most material types
• Higher guidance (5.0 - 7.0) produces sharper material definition but can reduce the organic quality
• Lower guidance (2.0 - 2.5) softens the material boundary — good for dreamlike or surreal effects

### Material Control

The material is entirely prompt-driven. Describe what you want the subject to become:

• Resin: “translucent amber resin”, “clear epoxy resin”, “red casting resin”
• Wax: “melting wax”, “candle wax dripping”, “beeswax sculpture”
• Clay: “terracotta clay”, “unfired clay with tool marks”, “slip-cast ceramic”
• Porcelain: “white porcelain with crackle glaze”, “delicate ceramic figurine”
• Marble: “polished dark marble”, “white carrara marble”, “veined stone”
• Bronze: “oxidized bronze with green patina”, “polished bronze casting”
• Glass/Crystal: “clear crystal glass”, “obsidian volcanic glass”, “blown glass”
• Gold/Precious: “liquid gold”, “golden honey resin”, “molten amber”

### Surface Detail Tips

• Mention imperfections for realism: “bubbles in the resin”, “fingerprints in the clay”, “crackle patterns in the glaze”
• Describe the lighting interaction: “light passing through”, “reflections on polished surface”, “candlelight on wax”
• Setting matters: “museum gallery”, “sculptor’s workshop”, “rain-soaked garden”, “black velvet display”

## Example Prompts

• A full-body sculpture of a woman carved from dark polished marble, standing on a circular stone pedestal in an abandoned gallery, her body rendered in sweeping art nouveau curves, one hand raised as if reaching for something invisible, the marble surface catches dim overhead spotlights creating pools of reflected light along her curves, museum-quality studio photography, dramatic side lighting.
• A porcelain ballerina figurine, white ceramic with delicate blue crackle glaze patterns across her skin, posed in arabesque on a mirrored surface, her limbs rendered with impossible thinness, the glaze cracks form organic river-delta patterns across her torso, soft diffused lighting from above, pale blue and cream color palette.
• A woman sculpted in warm terracotta clay in the style of ancient Mediterranean figurines, standing in a sun-drenched courtyard with crumbling ochre walls and dry olive branches, her surface shows the fingerprints and tool marks of the sculptor, small cracks where the clay dried unevenly, golden hour sunlight casting long shadows.
• A classical bronze sculpture of a woman in contrapposto pose, her surface covered in green verdigris patina that has developed over centuries, she stands in a rain-soaked garden among ivy-covered stone walls, water droplets beading on the oxidized bronze surface, the green patina concentrated in the recesses while the high points show through to warm golden bronze beneath.
• A female figure carved from polished black obsidian volcanic glass, kneeling with her head tilted back, the obsidian surface is mirror-smooth reflecting red and orange firelight from unseen flames, natural conchoidal fracture patterns visible along her shoulders, displayed in a dark room lit only by firelight.
• A woman’s upper body emerging from a thick pour of liquid golden honey resin, as if she is rising from a pool of it, thick strands of the golden viscous material dripping from her shoulders, the resin catching warm studio light and glowing amber and gold, her eyes closed in ecstasy, black background, dramatic rim lighting.

## Versions

Currently available for Flux.1-based models (Flux.1 Dev, etc.). Illustrious and Qwen-Image versions are planned for future release.

140+ downloads since initial release.